Archive | October, 2011

Some open mic advice…

5 Oct

This is some unsolicited advice on how to do a
better job as an open micer onstage. I’d like think I know something about open
mics as I do them and run one myself (for a few years now). None of this should
pertain to the material they do. Open micers will have to figure out what is
funny on their own… In no particular order…

1) Be professional when you get to the club.
Check in with the guy running the open mic. Ask about any rules they might have
pertaining to time, material, or anything else. Be respectful and stay out of
the way. Most clubs don’t necessarily want to run an open mic. Don’t give them
a reason to not do it.

2) Watch where the mc/host goes up on stage.
This should be how you get up onstage as well too. More than likely the host of
the show has been there before and knows what he is doing. Follow his lead. Be
prepared to get up onstage when it is your turn. You should already know your
order number so don’t be unprepared and be in the back when your name gets
called. There is not much worse that having the applause die before you got
onstage because it took you 30 seconds to get up there. Be ready to go!

3) If you take the mic out of the mic stand put
the stand behind you! Otherwise it is a distraction and/or impairs people being
able to see you.

4) Put the mic near your mouth!!! It is
important for people to be able to hear you so it helps if the mic can pick up
what you are saying. Pretend the mic is an ice cream cone (it doesn’t need to
touch your lips though) if that helps you. Don’t cover the mic part with your
hand. This kind of defeats the purpose of having the mic in your hand.

5) Pay attention to the light/bell/or other
signal that tells you your time is coming to an end. NO ONE likes people who go
over their time. The guy running the open mic will think you are
unprofessional. The other open micers will think you are a more colorful word.
So unless your goal is to be that colorful word watch for the signal! If you
are dying, don’t try to dig your way out of a hole. It won’t happen. If you are
killing, that is the best time to get off the stage. Leave the crowd wanting
more.

6) Don’t ask for more time. Take what they give
you. If the open mic wants to give you more time they will give you more time.

7) When you are preparing to finish, put the mic
back in the stand and say to the crowd “My name is ——-. That’s my
time. Thank you very much.” This lets the host know that you are done.
Hosts don’t like it when you goof around up there. Make it clear that you are
done. Make sure the mic is back where you found it on the stage. Wait for the
host to get back on stage before you leave. Shake their hand (fist bump,
whatever) and leave the stage the same way you got on. Go back to where you
were sitting before the show started.

8 ) I suggest thanking
whoever ran the open mic for giving you time. It is good manners and will
possibly make you standout from others. There are more than likely dozens, if
not more, open micers in your town that want time. Why not seperate yourself
from them by using good manners?! Indicate that you would like more time and
would want to get back on the schedule. If you didn’t like the open mic still
thank them for the time. No need to burn bridges as you never know when another
opportunity might come up.

9) After the show be
sure to network (or at least talk to) the other open micers. You never know if
someone is going to start another open mic or do a road trip somewhere. A good
part of comedy is about WHO you know and not how funny you are. This again goes
back to my point about not being a colorful word. You don’t have to be
someone’s best buddy but you don’t need to be standoffish or aloof. Often you
can barter time on one stage for another when you get to know people.

10) I also suggest not
getting drunk at the show. This can lead to bad things. I once saw a guy do an
open mic and the proceed to get hammered during the rest of the show. He
started to heckle the headliner and eventually was asked to leave. He was
banned from the club for 3 months. He learned his lesson but it was something
that should have been avoided altogether.

11) TIP the waitstaff.
Don’t be a cheapass and ask for some water and leave the waitstaff with no tip.
Most open mic nights are free to get in or are cheap anyway. Buy a
beer/softdrink/food whatever and tip the staff. They will think more of you.
And you want the staff to like you!

12) Don’t hit on the
waitstaff. They aren’t there for you to mess around with. Some downfalls of
hitting on the waitstaff are they will think you are a dick/creepy/a bother
etc. If you do manage to get lucky with one here are the things the inevitably
will happen- they waitstaff will think you are a dick/creepy/a bother. This is
NOT to your advantage to engage in.

13) Bring your
notebook/scraps of paper/manifesto with you to the club but try to avoid
bringing it onstage. Try to remember your stuff before you get onstage and work
it out. If you have to use your notes I guess go ahead and do it. However I ask
you when watching headliners how many of them use notes during their act? Just
asking…

14) Someone suggested to
me that people smile more onstage. It presents that you are more likeable and
are having a good time onstage. I do believe this to be true. However there are
instances where you might be working on a character that is not likeable or is
cranky etc… If that is the case go with it, but try and still be connected
with the audience.

15) Stick around for the
whole show. Whether you are 1st or 21st it is good form to sit and watch and
support fellow comics. People have the decency to do it for you so you should
do it for them. Also it is best not to rag on comics when onstage. This serves
no purpose (unless you know the guy very well and/or are joking around and they
know it). Lots of comics have thin skins. We are all just trying to get better.
Offer advice and support if you have any.

16) I’d would suggest
avoid asking the crowd “How they are doing?” More than likely the
host has already done this and probably the other comics have too. Just get
into the material and go from there. The audience already knows how they are
doing. As an open micer I would avoid engaging in dialogue with the crowd.
Stick to material!!!

17) Have a purpose on
stage. Say what you want to say. Have a goal and get to it. Don’t meander! The
crowd will lose interest. Stick to the plan, work it, and get off. Even if it
is only a few minutes. A good tight short set is better than a long meandering
one.

18) Leave your douchebag
friends behind. You are responsible for them. Clubs will hold you responsible
for their behavior. Do you want to be responsible for your drunk buddy Eric’s
behavior?! I doubt it.

Ok, I am sure that there
are a lot more things that could/should be added but I thought these were some
of the biggest points to make. I hope this will be helpful to people so that
there open mic experience can be a better one. Hit stages when you can. You
only get better by doing it!

Take care,

Stu McCallister

House MC at Dr. Grins